“Laura Hynes Smith took off in flight
for the high notes, with an almost
disconcerting ease, then brought us
back down to earth with her by a
descent of flawless purity.”
-Cyril Brun, Resmusica.com

“She is exuberant, full of personality,
completely engaged and richly
expressive.”
-Janelle Gelfand ,Cincinnati
Enquirer

Her delicious Sister Constance was
proof of an astounding mastery.”
-Richard Martet, Opéra Magazine

“Laura Smith’s lovely, clear soprano
has personality.”
-Barbara Zuck, Columbus Dispatch


Constance was Laura Hynes Smith,
a merry little finch with a smiling
voice full of joy
.”
-Benito Pelegrin

"Laura Hynes Smith offers a
heartbreaking interpretation of
Pamina, between despair and
elation
"
-Jean-Christophe Care, Montpellier
press

"..we find all the graces of the world
in Laura Hynes Smith's delicate
Pamina"
-J. V., Midi Libre

The role of Constance fell to a
young American, Laura Hynes Smith,
whose quality of French diction could
be desired of many of our French
compatriots. She lent a mixture of
ingenuity and the required gravity to
the character as well as a full voice
whose timbre is of an exquisite
naturalness. Someone to follow!

-Maurice Salles, Forum Opera

“The American Laura Hynes Smith
was a Constance approached from
the interior (without the superficial
mannerisms we often run into), whose
charming lyricism was complimented
by flawless diction. "
- Betrand Bolognesi

“The young soloists - also blending
well in ensemble singing - were
captivating in the various solo parts
with an amazing richness of
expressivity, depth of feeling and
flexibility, as well as a striking
technical security - like the soprano
Laura Hynes Smith with her
astonishing high notes.”
-Frankfurter Neue Presse

Dialogues of the Carmelites, 2006
La Cenerentola, 2007
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photo Marc Ginot
The Magic Flute, 2007
photo Marc Ginot