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“Laura Hynes Smith took off in flight for the high notes, with an almost disconcerting ease, then brought us back down to earth with her by a descent of flawless purity.” -Cyril Brun, Resmusica.com “She is exuberant, full of personality, completely engaged and richly expressive.” -Janelle Gelfand ,Cincinnati Enquirer “Her delicious Sister Constance was proof of an astounding mastery.” -Richard Martet, Opéra Magazine “Laura Smith’s lovely, clear soprano has personality.” -Barbara Zuck, Columbus Dispatch |
“Constance was Laura Hynes Smith, a merry little finch with a smiling voice full of joy.” -Benito Pelegrin "Laura Hynes Smith offers a heartbreaking interpretation of Pamina, between despair and elation" -Jean-Christophe Care, Montpellier press "..we find all the graces of the world in Laura Hynes Smith's delicate Pamina" -J. V., Midi Libre “The role of Constance fell to a young American, Laura Hynes Smith, whose quality of French diction could be desired of many of our French compatriots. She lent a mixture of ingenuity and the required gravity to the character as well as a full voice whose timbre is of an exquisite naturalness. Someone to follow!” -Maurice Salles, Forum Opera “The American Laura Hynes Smith was a Constance approached from the interior (without the superficial mannerisms we often run into), whose charming lyricism was complimented by flawless diction. " - Betrand Bolognesi “The young soloists - also blending well in ensemble singing - were captivating in the various solo parts with an amazing richness of expressivity, depth of feeling and flexibility, as well as a striking technical security - like the soprano Laura Hynes Smith with her astonishing high notes.” -Frankfurter Neue Presse |
Dialogues of the Carmelites, 2006 |
La Cenerentola, 2007 |
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photo Marc Ginot |
The Magic Flute, 2007 |
photo Marc Ginot |